Love from a Romantic Perspective in the Poems Essay

Ro compositiontic this intelligence operation holds many different con nonations and brings to mind a collection of different images. It plenty be fanciful, impractical, unrealistic it can be ardent, lusty, fervent and it can be imaginary, fictitious, or fabulous. According to the phraseary, amatory is an adjective characterized by a preoccupation with discern, or by the idealizing of fill discover or wizs bedeard. In the three verses I eat up chosen Let me not to the wedding ceremony of true minds by William Shakespe be, La Belle dolly Sans Merci by fast one Keats and lenient by D.H. Lawrence, the poets use a variety of linguistic and literary devices, as comfortably as explore different infrastructures and tomography, to pledge hunch over from a sentimentalist perspective.The dream visualized in the three rimes may be distinct to each other, solely is without a doubt something that idealizes recognize, that elevates the plain of spot onto a radix. Th e metrical compositions Shall I compare thee to a passs day? by William Shakespeare, First passionateness by earth-closet Clare and consider by Christina Rossetti a corresponding depict erotic go to sleep in a amativeistic light. I give examine exactly how the poets do it how the poets ingeniously confront love from a sentimentalist perspective in their songs.Firstly, Let me not to the marriage of true minds too cognize as sonnet 116 is one of the nigh famous in William Shakespeares collection of sonnets. It demonstrates the glory and invincibility of love, and is a poem addressed to a mysterious Fair early days. The sonnet proposes the idea that true love will perpetually persevere, irrespective of any obstacles or troubles that may practise. Shakespeare employs various literary and linguistic devices to enter love from a romantic perspective and portray it in a divine light.Shakespeare uses metaphors and imagery to idealize love, presenting the slip ro mantically. The government notes It is an ever-fixed mark / That looks on tempests and is neer shaken and the star to every wander bark portray love as a permanent draw, something unwavering and definite that will al behaviors be there. The idea that love is a guiding star has been apply in countless poems by many different poets, but Shakespeare puts a unique emphasis on this imagery. The main metaphor of the sonnet is that love is like the North Star, which neer changes position in the night lurch it has been a stable point utilise for navigation for centuries, and by apply such a comparison, Shakespeare portrays love as the star that shepherds people finished life.The tempests that trouble the seas are a metaphor for the obstacles that relationships may reach to smell, and the wandering bark personifies the lost ship, as if it has a purpose and is looking for something. roving bark is similarly a metaphor for a lover macrocosm led, by love, out of the boisterous se a of life. Through the use of nautical imagery, Shakespeare presents love from a romantic perspective by creating a superb scene of a ship lost in the turbulence of a stormy sea, with a serene, unmoving star as a guide above.The poet also explores the themes of quantify, age and remnant to glorify love, hence presenting it romantically. Elizabethan empathizeers of Shakespeares sonnets are familiar with the Grim Reaper, the icon of European culture in the medieval period when many died every day due to the dispirited Plague. The Grim Reaper is a horrifying character who bears a scythe, bony and macabre. However, in Sonnet 116, Shakespeare stockpilees that the Grim Reaper can authenticly be defeated by love once much depicting the intrepidity of it. honors not Times fool, though rosy lips and cheeks / indoors his bending sickles compass come personifies love and time, claiming that Love will not succumb to Time. Sickles compass come uses the plosive hygienic of k to mimic the harsh sounds of a destruction rattle it is onomatopoeic.In the clienteles Love alters not with his brief hours and weeks, / But bears it out even to the edge of doom., the his refers to Time, and Shakespeare is emphasizing the prowess of love by wake that Time has no effect or restrain over it. This lifts love onto a pedestal and portrays it in a romantic light. Similarly, Shakespeare also employs the themes of time and eternity to glorify love in another one of his most famous poems Sonnet 18, Shall I compare thee to a summers day?. In this sonnet, the verbalizer compares a pricey to a summers day, and says that the beloveds eternal summer will never fade, that the beloved would be kept living forever by the poem. one time once more, Shakespeare personifies stopping point, this time as the one who oversees a shade Shakespeare writes that the beloved will conquer all and will not be swept into this unwell light of Death.Thirdly, Shakespeares use of iambic pentamete r and rhythm also elevates the subject of love and presents it from a romantic perspective. The sonnet manages to have a consonant rhythm, yet face conversational it is able to be formal and planned, but casual and spontaneous at the same time. This is achieved through Shakespeares ingenious use of rhythm and pacing. The iambic pentameter becomes very obvious after the terce line, Which alters when it alteration finds, thus creating a conformable pacing.However, the poet uses dramatic exclamations to break up the rhythm, making the speaker seem more human than a railcar an example would be, O no It is an ever fixed mark. The metaphors and imagery utilise all weave a sophisticated sonnet, but the actual speech is very simple, making the sonnet easy to consider and the claims well-illustrated. The conclusion two lines, If this be error and upon me proved, / I never writ, nor no man ever loved., is a rhyming couplet that is full of impact. The couplet over again immortaliz es love and praises it with glory, an epitome of presenting love from a romantic perspective.William Shakespeares Sonnet 116 is one of the most famous poems that immortalizes love. I think it definitely successfully presents love from a romantic perspective, use a variety of devices. steady after dissecting the poem and analyzing each of the aspects respectively, I am still overwhelmed by the general maven of romance that comes through, instead of being focused on the mechanics and functions of spoken communication and phrases. I feel that the romantic sense in Sonnet 116 is that of an idealization of love, and Shakespeare crafts it beautifully.The second poem I will analyze is La Belle fowl Sans Merci, a ballad written by John Keats in 1819. It is a poem that also presents love from a romantic perspective, though in a different way. In this poem, the romance that is portrayed is passionate and fictitious something akin to a magical myth. The denomination of the ballad tra nslates to The Beautiful Lady Without Pity. John Keats had taken inspiration and the statute title from the early fifteenth century French poem by Alain Chartier, though the narratives of the two poems are different. John Keats chose this phrase to use as the title of his ballad to highlight the storyline of a seductive woman who tempts a man of honour from the real world and abandons him with unfulfilled dreams, drained of life. The theme of knockout and unrequited love is explored in the poem. John Keats is well k immediatelyn for being one of the most prominent poets of the Romantic era, and La Belle similar Sans Merci is one of his most famous poems.John Keats plays with floral imagery to present love from a romantic perspective. Flowers are beautiful and delicate things that are often given as gifts and expressions of love and romance and by using flowers as symbols for different meanings in the poem, Keats portrays love in a romantic light. In line 9, the speaker says to t he sawbuck, I see a lily on thy brow lilies are pale white and are often associated with death in the Western culture, and this is a metaphor expressing that the sawbuck looks sickly and pestilent pale. Another obvious use of floral imagery to romanticize love is seen in lines 11-12, And on thy cheeks a fading pink wine / Fast withereth too.Roses are often associated with love in the Western culture, and the ennobles rose fading and withering holds connotations of the ending of a romantic relationship. However, the rose, like the lily, is also describing the nicknames complexion the colour is fading from his cheeks. In these two lines, Keats cleverly employs the rose as a symbol for both the knights pale subject and waning love. Lastly, in lines 17-18, the knight makes a garland and bracelets out of flowers for the faerys child. Flowers hold connotations of beauty, love and life, and the knight adorns the woman with them Keats uses the flowers as a symbol to show the inten sity of the knights love for her.Another image that is repeatedly explored in the poem is gruesomeness, and this paints love in a romantic sense as it highlights the melancholic and dramatically destructive aspects of love. In the root rule book of the poem, in line 2, the paleness is already established by the speaker Alone and pallidly loitering. This line has the alliteration of the consonance l, and this creates a tuneful sound that emphasizes the phrase, especially drawing the readers attention to the rarity of using pale as an adverb palely. An internal rhyme is also created, as palely rhymes with ail thee from line 1 again, this highlights the phrase and enhances the paleness of the knight, underlining the romantic melancholy of the knight.In the lines 37-38, the sacred scripture pale is used three times in exclusively two lines. When the knight is describing his dream, he speaks of pale kings and pale warriors, who were all death pale the images painted in the rea ders minds are drained of colour and life, and the paleness is now explicitly associated with death. Lastly, in the lines 37-40, pale is repeated to accentuate the similarities betwixt the word and the words all, belle, and thrall. The consonance creates a fellowship amidst all the words when they are read aloud, and makes the readers think whether the belle noblewoman couldve been the cause of the paleness of all the knights, warriors and princes she had in thrall. This clever usage of paleness reinforces the sense of a story in the ballad and enriches the romance within, presenting love from a romantic perspective.In addition, John Keats utilizes the lyrical sense of the ballad format to elevate the romance in the poem. La Belle Dame Sans Merci has the typical features of a ballad, and when read aloud, it is similar to a folk song. The words have a incessant, uniform rhythm that sets an underlying beat, and the literary devices active such as alliteration and rhymes create a harmonious sound. The ballad also has a circular structure it begins and ends similarly, with The sedge has witherd from the lake, / And no birds sing. as the ending of the first stanza, and Though the sedge is witherd from the lake, / And no bird sing. for the pass away stanza. This seems to make La Belle Dame Sans Merci appear more like a song than just a plain poem. Because of this medicineal sense that is added to the poem, John Keats puts the subject of his poem love onto a pedestal and portrays it romantically, akin to a love song.Lastly, the imagery of dew and water is used to step forward the danger of women in the poem, and this in turn portrays love in a fatal sense, rivetingly romantic. Women were often associated with water in medieval romances, and John Keats used this tradition in his medieval folk ballad. This symbolic tradition is a metaphor for men who become weakened after contact with life-threatening women. A reference to water is already used in the beg inning of the poem in line 3, the speaker identifies death and witherd with water The sedge has witherd from the lake. A lake does not flow like a river or a spring it is stagnant and void of life. This already creates an ominous mood that hangs over the rest of the poem, and emphasizes the catastrophe that love has through with(p) to the knight. In line 10, the unnamed speaker says that the knights face has anguish moist and fever dew the knight is sweating from a fever.This again demonstrates that the knight is physically ill from love, and also makes the reader wonder where he caught the fever. The readers seem to find the answer later on, when dew is repeated the faerys child fed the knight manna dew in line 26. miraculous food is heavenly food but it was not originally food that is eaten as dew. John Keats wrote that the manna was in liquid state to add to the continuous metaphors used throughout the whole ballad. John Keats seems to hint that women are blasphemous and s oft like water, but when men came into contact with them, they could suddenly become rash and vicious. Women are dangerous and unpredictable like water. This metaphor makes love seem thrillingly romantic exhilarating it delineates love in a romantic light.Another poem that echoes this idea of men beseeming weakened by women and love is First Love by John Clare. This poem is some the poets first and seemingly unrequited love. John Clare uses the imagery of virulent paleness to show the destruction of love, too he writes, My face off pale as deathly pale. Clare also explores the aspect of becoming physically ill from dangerous love, just like Keatss depiction of love in La Belle Dame Sans Merci. Clare writes, And blood burnt aggress my heart, claiming that he was in physical pain similarly, John Keats writes that the knight has an actual fever from his deleterious love.When I was comparing the poems, La Belle Dame Sans Merci and First Love, I was surprised and very intrigued b y the similarities between them. Both poems seem to draw out the most fatal features of love, describing it as something that would drain men of life. I am engaged by the way they depict the thrilling qualities of love with corresponding images, and it is fascinating to see that the poets have chosen to portray love in a romantically dangerous light after analyzing the idealized true love in Shakespeares sonnets.The third poem I am going to analyze is Piano by D.H Lawrence. The love portrayed here is not that of a romantic relationship between a man and a woman, but that of a relationship between Lawrence and his niggle. The poet begins the poem with an enchanting evening, where music brings back memories of his beloved niggle he then borrows the idyllic atmosphere of the evening to cover his reminiscence, hence presenting love from a romantic perspective. Even though the poem does not depict a relationship of romance, it does render love in a nostalgic and sentimental sense.Pia no is a poem where the single speaker is listening to a woman sing to him, and the music brings him back to dwell in the memories of his childhood. The speaker remembers fondly of the times when his develop sang to him whilst playing the piano. In the end of the poem, the retrospect of the past overwhelms the present. As a man, the speaker should be more enraptured by the passionate singing of the woman, but his memory conquers his manhood as he loses control of his emotions. The speaker remembers his brings singing with tears on his face he becomes a child again.The first line of the poem already creates an overall romantic atmosphere. Softly, in the dusk, a woman is singing to me. The word softly casts a gentle and tender stones throw to the following lines. The wording of the word dusk holds connotations of a peaceful warmth, an enigmatic and mysterious twilight, icon an image of a soothing glow in the minds of the readers. This first line sets the mood of the poem and cre ates a romantic background for the remaining lines of the poem to be based upon. The use of romantic atmosphere is also show in the description of the natural spring of the singer rising to a increase So now it is vain for the singer to burst into clamour / With the bully black piano appassionato.The glamour. The language is powerful and passionate. The memories of the speakers childhood also create a warm and secure air that forms a lingering feeling of romance. In the final line, Down in the flood of remembrance, I weep like a child for the past., the diction of flood and weep craft a romantically melancholic atmosphere. Likewise, in the poem Remember by Christina Rossetti, an atmosphere of romantic melancholy is also explored to present love from a romantic perspective. The poem depicts a melancholic aspect of love by featuring the theme of death, and glorifies love by making it seem beyond deaths darkness.D.H. Lawrence also uses sibilance and assonance to portray love in a romantic perspective. The repetition of the s sounds in the opening line intensifies the feelings of romance as well as intimacy. Furthermore, assonance is used in the first two lines of the last stanza So nowclamourglamour the long o sounds depict the musical climax of the singers performance in a romantic sense. Sibilance is again used in the line smiles as she sings, and the repeated i sounds in the line create the facial effects of a smile when read aloud. This intensifies the romantic feeling of the poem as it emphasizes the speakers mother smiling and singing, and brings to mind images of affection and tenderness.Tone and language are also employed to present love in a romantic perspective. The language used can be called conversational, and is definitely very intimate. It is that of a narrative, as if the speaker is telling a very personal story. By offset the poem with Softly, the poet creates a romantic longing for the past, as the word has a semantic field of tender fondness. The warmth in the tone when the speaker is describing the childhood scenes also creates romantically nostalgic images in the minds of readers. In the fourth line of the first stanza, And pressing the diminished, equanimous feet of a mother who smiles as she sings, the repetition of the plosive p highlights the rhythm of the piano, as well as the intimacy between the son and the mother.Additionally, other techniques that are used to present love from a romantic perspective include repetition and metaphors. Piano is repeated in each stanza, making the image consistent through the whole poem the piano then becomes a romantic symbol for the speakers love for his mother. The word tinkling in the second stanza can be seen as a repetition of the frisson in the first stanza, and this use of onomatopoeia creates a pleasant sound when read aloud, adding to the sentimental mood of the poem. Weeps is used in both the second stanza and the last stanza, and the repetition accentuate s the speakers need and longing for his mother that seems romantically sad. In the poem, the poet also uses vista as a metaphor for memory a vista is a beautiful view seen through a long and narrow opening, and this creates a bewitching image in the readers minds of scenes from a childhood spread out across a landscape.Similarly, the poet also writes, the flood of remembrance in the diction of flood, the writer creates an image of an unstoppable overwhelming of emotions, and it is this uncontainable quality that adds to the romantic nostalgia. Metonymy is also used feet represent the speakers mother. The scenes created in the readers minds seem to feature a faceless mother, snap on the child sitting under the pianopressing the small, poised feet of a mother who smiles as she sings.The mothers face is not described the only feature of the mother that the readers envision is her feet and her smile. This adds a romantic quality to the poem as it puts the world in a small childs pe rspective, and gives a somewhat enigmatic aura to the mother and also expresses the fractured, dreamlike qualities of a memory. The small, poised feet of the mother portray her in a gentle and delicate light, and intensifies the overall romantic perspective of maternally love in the poem.In conclusion, the three poems Let me not to the marriage of true minds, La Belle Dame Sans Merci and Piano all display a variety of different techniques to present love from a romantic perspective. all in all three poets use literary and linguistic devices such as metaphors, sibilance, assonance and more. The three poems accent love with romance, whether it is a conventional man-woman relationship or mother-son relationship. The term romantic is explored by each of the poets William Shakespeare immortalizes true love and makes it seem perfect and omnipotent John Keats adds a vital, riveting quality to love and D.H. Lawrence examines the subject through a lens of nostalgia. After analyzing these three poems, I realized that the human experience of love has moved poets, throughout the centuries, to express the nature of love romantically.Love is depicted as fanciful, dreamy, impractical invincible, passionate, immortal. Poets have a desire to eternalize the subject of their poems whether it is their beloved, or love itself. It is as William Shakespeare writes in Sonnet 18, Shall I compare thee to a summers day? So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee. I score with Shakespeare as long as there are people alive to read poems, the nature of love that William Shakespeare, John Keats and D.H. Lawrence tried to present from a romantic perspective will live on forever.