Friday, March 8, 2019
Starry Night Over the Rhone
starry night Over the Rhine was motley along the banks of the Rhine River. What I first stick out when I aroma at this interrogative sentence-picture show is the city lights reflecting off the water while a couple takes a walk on the nearby shore. The thrash about is filled with stars, including the Great Bear, norm solelyy known as the capacious Dipper. train van van Gogh shifted the sky most in order to create an even more extraordinary divulge of stars. From his point of view the town of Arles lay to the south west the whacking Dipper he painted in the sky was actually in the north behind him.Towards the left you can see the towers of Saint cut and Saint Trophies, and the bridge connecting Arles to Tranquiller on the right. In the far horizon, a church service steeple is shown. Starry Night Over the Rhine was described in a letter from Vincent Van Gogh as a cheerful piece, only when when the delineation was finished almost a year later, it had a revise mood and mean ing. The work is dark, exclusively serene. Many believe that the swelling stamp in Van Gogh distorted the original sketchs romantic charm.This painting is a reprehension of inner torment and mental distress. The animated strokes, the glimmery, animate colors of the stars contrasting against the dark blues and blacks of the night reveal his battle cry for hope, light and love. The focal point of Starry Night Over the Rhine is the cons averation of the Big Dipper. Vincent Van Gogh downs attention to the Big Dipper by using color and value. The sky is the lightest shade of blue roughly the Big Dipper. The bright yellow stars in the constellation contrast with the blue to bring focus to them.Van Gogh uses the lines in the ground under the couple and around the edge f the water to make a circular motion that brings the eyes back to the focal point of the Big Dipper. Van Gogh also uses contrasting directional lines in the sky to make the stars turn out out. The texture of the en tire painting is very thick because of the method of impasto that Van Gogh utilise. A closer look at the Starry Night Over the Rhine reveals that Vincent Van Gogh gave equal visual weight to all the things that he painted. In this painting there is no visual specialization between the earth and the sky.Van Gogh shows unity throughout the piece with the lights, both(prenominal) natural and an-made. For every star or group of stars there is a city light or group of lights, which then has a reflection in the water. At the waters edge near the couple, it is nearly impossible to see the distinction between land and water. The low contrast makes it hard to tell whether the ship is sinking in the water, or merely Just docked. The bright lights have a high contrast to the dark blue-black sky and water. The focus the water is depicted creates a rhythm that gives the illusion of waves rippling.The Starry Night Over the Rhine is an oil painting on canvas and the technique is broad ND sweep ing brushstrokes. Vincent Van Gogh also used the technique of impasto in this painting. Impasto is very thick application of paint, usually potent on wet. This technique gives the painting texture and movement. Van Gogh painted rapidly, with a sense of urgency, using the paint straight from the tube. Van Gogh painted emotionally, trying to throw his heart onto the canvas and evoke chanceing. (http// www. Ratable. Com/artists/Vincent_van_Gogh/paintings/starry_night_over_the_Rhine) When I look at The Starry Night Over the Rhine, I feel infinite.This painting makes me feel at peace, like I could Just look at it forever. It reminds me of the song Bella Note from Lady and the Tramp. A quote I particularly like from Vincent Van Gogh is l dont know anything with certainty, but seeing the stars makes me dream. This painting truly exhibits this quote. The Starry Night Over the Rhine is supernatural and beautiful. It is one of very few pieces of artwork that I feel this way about, which i s why I selected it for this assignment. I can not imagine a better piece of art to own.