Online Newspaper Vs. Print Version -- essays research papers

Newspaper objecters have a considerable canvas to play with. Their concepts can be striking and yet conf wasting diseased and pack very much more impact than a clear scallywag especially because the entire double- rascal spread is in-your-face in a ingredient of a second. Wham, heres the news. The page in the figure is a great subject of the possibilities in print a mammoth, high-resolution map sets the stage for a story about Chile and does double duty as an entropy graphic for several data nuggets. More data is visualized in milder graphics around the page. And, of course, there is room for a large amount of text that is set in high-resolution type and nicely integrated with the headlines and graphics in a pleasing over-all layout that allows the eye to work from overview to details in a fraction of a second. The above theatrical role does not do justice to the awards book which is printed in super-high resolution on heavy-duty glossy paper. In the book, it is possib le to actually read the bole text on the page. For online, I had to squeeze the JPEG quality down quite a a bit in order to achieve the required 10-second transfer time for modem users. Another benefit of print DimensionalityPrint figure of speech is 2-dimensional, with much attention paid to layout. It is obviously possible for the reader to turn the page, whole substantial interplay between different spreads is rare. Typically, each view is a jut unit created for a fixed size canvas - often a big canvas when designing newspapers or posters. In contrast, Web design is simultaneously 1-dimensional and N-dimensional. A web page is fundamentally a scrolling jazz for the user as opposed to a canvas experience. A small amount of 2-dimensional layout is possible, but not to the extent of creating a pre-planned experience with a fixed spatial relationship between elements. Users often begin scrolling in the first place all elements have been rendered, and different users testame nt scroll the page in different ways throughout their reading experience. Precise placement of elements on a web page goes against the nature of HTML and can only be achieved to an approximation for pages that are able to adjust to different windowpane sizes. Thus, 2-dimensional relationships between page elements are less important than 1-dimensional relationships (whats early on the page whats later on the page). NavigationThe N-dimensional aspect of web design follows fr... ...esign approaches to utilize the strengths of each medium and minimize its weaknesses. Print design is ground on permit the eyes walk over the information, selectively feeling at information objects and using spatial juxtaposition to make page elements enhance and explain each other. Web design functions by letting the hands move the information (by scrolling or clicking) information relationships are show temporally as part of an interaction and user movement. With better hardware, differences in terms of appearance and layout may diminish. At the same time, more brawny software and a better understanding of interactive information objects will increase the differences in terms of interaction and user control. Current web designs are insufficiently interactive and have extremely poor use of multimedia. It is rare to see a web animation that has any final stage besides annoying the user. Print design is highly refined, as testify by glancing through the recent book of award-winning designs. Web design is impoverished because too many sites strive for the wrong standards of excellence that do sense in the print world but do not make sufficient advances in interactivity.